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BA (ED) Fine Arts (UP); BA (Hons) (Art History) (UP); MA (Visual Studies) (UP); PhD (Art History and Image Studies) (UFS)
Research highlights
Lauwrens, J. 2018. More than meets the eye: embodied engagement in After The Last Supper. Art Journal. 77(2): 8-23.
Lauwrens, J. 2018. Trust your gut: Fleshing out an embodied encounter with Nicola Grobler’s The Visitor Centre. Critical Arts 32(2):83-99.
Du Plessis, K & Lauwrens, J. 2016. When boys turn into women: a critical reading of postfeminist masculinity in The last of us. Image & Text 27:7-27.
Mans, H & Lauwrens, J. 2013. Christian-Afrikaans women under construction: an analysis of gender ideology in Finesse and Lééf. Image & Text 22:45-64.
Lauwrens, J. 2012. Welcome to the revolution: the sensory turn and art history. Journal of Art Historiography 7:1-17.
Lauwrens, J. 2012. Can you see what I mean? An exploration of the limits of vision in anti-ocularcentric contemporary art. De Arte 85:26-41.
Lauwrens, J. 2010/2011. Disciplining images in visual culture studies: Plotting a course. Scope. Contemporary Research Topics (Art & Design) 5&6:24-33.
Lauwrens, J. 2008. Sightseeing in art and visual culture. Image & Text 14:18-28.
Lauwrens, J. 2005. Do good fences make good neighbours? Reviewing disciplinary borders in art history and visual culture studies. De Arte 72:49-57.
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